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En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:
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Hugo van der Goes - traducción al francés
FLEMISH PAINTER (C.1440-1482)
Hugo van Der Goes; Hugo Van der Goes; Hugo Goes; Hugo van der goes; Hugo Van Der Goes
![''The Adoration of the Kings'' ([[Monforte Altarpiece]])](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes (Gand, 1440 circa – Auderghem, 1482) Altare Monforte - Adorazione dei Magi (1470 circa) - Tecnica olio su tavola Dimensioni 147×242 cm - Gemäldegalerie, Berlin.jpg?width=200 "''The Adoration of the Kings'' ([[Monforte Altarpiece]])")
 - WGA9706.jpg?width=200 "Shepherds from the Portinari Triptych")
 - Google Art Project.jpg?width=200 "280px")
![Adoration of the Shepherds]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes - The Adoration of the Shepherds - Google Art Project.jpg?width=200 "Adoration of the Shepherds]]''")
![Portinari Triptych]]](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes 004.jpg?width=200 "Portinari Triptych]]")
Hugo van der Goes
Hugo van der Goes (d. 1482), Flemish Renaissance painter, creator of "Death of the Virgin"
Definición
van der Waals forces
[?van d?'w?:lz, 'v?:lz]
¦ plural noun Chemistry weak, short-range electrostatic attractive forces between uncharged molecules, arising from the interaction of permanent or transient electric dipole moments.
Origin
C19: named after the Dutch physicist Johannes van der Waals.
Wikipedia
Hugo van der Goes
Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduced important innovations in painting through his monumental style, use of a specific colour range and individualistic manner of portraiture. From 1483 onwards, the presence of his masterpiece, the Portinari Triptych, in Florence played a role in the development of realism and the use of colour in Italian Renaissance art.
